Di, 28.1.25

“Weather making and the arts” – discussion with Daphne Dragona

Talk

Time  16:30

Curated by  Sybille Neumeyer

online (LINK)

Discussion with Daphne Dragona & Sybille Neumeyer

Who makes the wea­ther, and how do artists address the pro­mi­ses of con­tem­po­ra­ry tech­no fixes and the right to brea­the? Which media can be mobi­li­zed to assess the health of the pla­ne­ta­ry body?

In the spi­ral­ling cli­ma­te and eco­lo­gi­cal cri­sis bodies are dif­fer­ent­ly affec­ted by the wea­ther. Their breathing is depen­dent on the meta­bo­lic pro­ces­ses of the body of the pla­net and on car­bon cycles being dis­rupt­ed. Experiencing an ongo­ing cli­ma­te cri­sis, we need to fight for a sus­tainable future and to exami­ne the solu­ti­ons being intro­du­ced by tech­no­lo­gy. This dis­cus­sion with Daphne Dragona and Sybille Neumeyer explo­res cri­ti­cal approa­ches found in con­tem­po­ra­ry visu­al and cura­to­ri­al prac­ti­ces, that offer a nuan­ced per­spec­ti­ve on the dif­fe­rent lay­ers and tem­po­ra­li­ties of harm in toxic atmospheres. 

(The event is in English language)

Daphne Dragona is an inde­pen­dent cura­tor, theo­rist and wri­ter based in Berlin and Athens. Her work cri­ti­cal­ly exami­nes power struc­tures through the lens of artis­tic and theo­re­ti­cal prac­ti­ces. She focu­ses on the­mes like the com­ple­xi­ties of digi­tal con­nec­ti­vi­ty, the poten­ti­al and limi­ta­ti­ons of the com­mons, sub­ver­si­ve art, the mani­pu­la­ti­on of play, and the ethi­cal chal­lenges around care and empa­thy. Recently, she has del­ved into the pos­si­bi­li­ties offe­red by kin-making tech­no­lo­gies in addres­sing the cli­ma­te crisis.

 

Funding

Daphne Dragona ist eine in Berlin ansäs­si­ge Kuratorin und Autorin, die sich in ihrer Arbeit kri­tisch mit Machtstrukturen aus­ein­an­der­setzt und dabei künst­le­ri­sche sowie theo­re­ti­sche Praktiken in den Fokus rückt. Ihre the­ma­ti­schen Schwerpunkte umfas­sen die Komplexität digi­ta­ler Vernetzung, die Potenziale und Grenzen des Gemeinsamen, sub­ver­si­ve Kunst, die Instrumentalisierung von Spiel, ethi­sche Herausforderungen im Zusammenhang mit Fürsorge und Empathie sowie jüngst die Möglichkeiten von „Kin-making“-Technologien (Donna Haraway) im Kontext der Klimakrise.