12.1. – 15.2.26

Curation of young, local photographic artists for f/stop – Leipzig Photography Festival 2027

D21 Kunstraum sees its­elf as a plat­form and expe­ri­men­tal field for local and inter­na­tio­nal artists. The f/stop – Festival für Fotografie Leipzig is a regio­nal, natio­nal and inter­na­tio­nal­ly ori­en­ted fes­ti­val for pho­to­gra­phy that not only cul­ti­va­tes a dis­cur­si­ve approach, but also con­nects oppo­si­tes: East and West, local and inter­na­tio­nal, sub­ject-spe­ci­fic and tar­get group-wide, empha­sis­ing the pro­cess but also put­ting for­ward the­ses and thus ques­tio­ning the core as well as the limits of the medium.
fur­ther information

As part of the ALIEN the­me, the f/stop – Festival für Fotografie Leipzig is loo­king for cura­tors who will explo­re this topic in their exhi­bi­ti­on con­cept through the work of young East German photographers.
The ali­en appears in various art and cul­tu­ral forms such as theat­re, games, visu­al arts and lite­ra­tu­re and is stron­gly lin­ked to deba­tes on iden­ti­ty and empower­ment. The annu­al the­me of D21 is about the idea of the “ali­en” as an image for the “for­eign”, but also about ali­en­ati­on, the ali­en­ating in the (sup­po­sedly) familiar.

What exact­ly is an ali­en? In English, the ambi­gui­ty of the term as “for­eign, dif­fe­rent” beco­mes par­ti­cu­lar­ly clear: “Aliens” are peo­p­le who are not citi­zens or natio­nals of the coun­try that sets its­elf apart: Citizens vs. ali­ens. The term “ali­en” here the­r­e­fo­re pri­ma­ri­ly refers to tho­se who are for­eign (to us). The ali­en as we know it from sci­ence fic­tion films needs the addi­ti­on “extra­ter­restri­al life” or “ali­en life”. The term “ali­en­ated” descri­bes very pre­cis­e­ly how many peo­p­le in mar­gi­na­li­sed com­mu­ni­ties descri­be their own role in a sexist, anti-femi­nist, homo­pho­bic, racist or anti-Semitically dis­cri­mi­na­to­ry socie­ty. The ali­en has the­r­e­fo­re been used in que­er theo­ries sin­ce the 1960s, espe­ci­al­ly by LGBTQIA*, PoC and Black peo­p­le, as an alle­go­ry for the fee­ling of being ali­en­ated and sepa­ra­ted from a hete­ro­nor­ma­ti­ve socie­ty of white supre­ma­cy. Aspects of the alle­go­ry “ali­en” emer­ge as a for­eign and self-desi­gna­ti­on, a term of strugg­le, empowe­ring appro­pria­ti­on and struc­tu­ral criticism.
Unfortunately, peo­p­le tend to feel empa­thy only for the clo­sest, most simi­lar cir­cle and reject the sup­po­sedly for­eign. We all other­ni­se, compa­re our­sel­ves with others and distance our­sel­ves based on the idea that peo­p­le and socie­ties dif­fer signi­fi­cant­ly from our own social group in terms of life­style, cul­tu­re or other cha­rac­te­ristics. This is an ali­en­ati­on that takes place in the cent­re of socie­ty, be it becau­se of gen­der, sexu­al ori­en­ta­ti­on, reli­gious affi­lia­ti­on, eth­ni­ci­ty, natio­na­li­ty, social posi­ti­on within a socie­ty, or even becau­se of sup­po­sed bio­lo­gi­cal dif­fe­ren­tia­ti­on cri­te­ria bet­ween peo­p­le. People of cer­tain skin colours and iden­ti­ties are made invi­si­ble or par­ti­cu­lar­ly expo­sed through bias, which makes them sus­cep­ti­ble to vio­lence through racism and anti-Semitism, exclu­si­on and vio­lent crime.

The spe­ci­fic exhi­bi­ti­on con­cept will be deve­lo­ped in a mode­ra­ted pro­cess after the cura­tors have been sel­ec­ted. The f/stop manage­ment team values open­ness and wil­ling­ness to coope­ra­te, as well as curio­si­ty about working in a mode­ra­ted pro­cess and a team with other cura­tors. The f/stop manage­ment team also values a good know­ledge of the young pho­to­gra­phy sce­ne in eas­tern Germany with an eye for the broad spec­trum of pho­to­gra­phy. The deve­lo­ped con­cept should be within a bud­get of max. €25,000. The exhi­bi­ti­on will be imple­men­ted in col­la­bo­ra­ti­on with the f/stop team and will be dis­play­ed at a fes­ti­val loca­ti­on in the Leipzig city area, which is yet to be determined.

Application
1. Curatorial port­fo­lio with the fol­lo­wing information:
• Description of your own prac­ti­ce (1 A4 page)
• Presentation of exem­pla­ry exhibitions/projects that are rele­vant to the call for appli­ca­ti­ons, inclu­ding exhi­bi­ti­on views, list of artists, budget
• CV

2. Letter of moti­va­ti­on for the desi­red curation

Please send ever­y­thing in one com­ple­te PDF (no indi­vi­du­al pages) (max. 10 pages; data volu­me max. 12MB) or use a per­ma­nent­ly usable down­load link; plea­se pro­vi­de time-based media such as video/sound exclu­si­ve­ly as a link (do not send ori­gi­nal files!)).
The rea­li­sa­ti­on of the pro­ject is sub­ject to fun­ding. Submissions can be sent in German or English to: office@d21-leipzig.de by 15.02.2026. Submissions can be sent in German or English to office@d21-leipzig.de by 15 February 2026. The sel­ec­tion will be made by the f/stop team.